Guides

invideo puts the leading video, image, voice and music models next to a timeline editor. Start your first film with Agent Two.

Use compression to manage changes between louder and quieter speech.

Make targeted tonal adjustments with Parametric EQ 8.

Pick a transition for the reason of the cut, then judge it against the rhythm of your edit.

Build a clear text hierarchy with a small set of fonts.

Balance contrast, placement and screen time so viewers can read the message.

Use the De-Esser to target excessive sibilance while preserving clear speech.

Try Click Remover on brief clicks and review the effect on the surrounding sound.

Use the timecode, requested change and creative intent to guide a revision.

Separate the balance of the mix from the level of the delivered audio.

Use a LUT as a starting point, then judge the result shot by shot.

Describe the sound you want, review the agent’s work and refine it on your timeline.

Ask Agent Two to assemble your footage into an editable first cut, then refine it on the timeline.

Create directional light trails on your footage with help from Agent Two.

A video walkthrough of making AI fashion ads with invideo agents: product films, UGC ads and behind-the-scenes studio shoots.

A video masterclass on making a consistent brand film on invideo with an agent, from the first concept to the final cut.

Create space for dialogue by reducing competing audio during speech.

Reduce the LUT’s strength and reassess the underlying color balance.

Use reverb to suggest space without hiding the timing or clarity of the sound.

Distinguish peak control from shaping the dynamics of a performance.